For the front cover I have used a combination of a photograph and digital images to create it. Front covers tend to be one media, like a painting, photograph or digital artwork. Therefore I feel like I've subverted from genre expectations. The people walking forward on the bass guitar string are red and blue to match my overall package theme. The front cover doesn't feature the band, as many indie bands tend to not feature on the front cover. Using Dafont.com I choose a unique font and created my band logo from that. The logo has a main colour of red but with a blue glow, helping to add to the band identity. Using these colours over and over again the digipack, website and music video creates a motif that the audience can associate with the band. Hence my album cover is conventional in some aspects. The digipack includes song lyrics, band photos and song credits. On the back cover there is record label logo, copyright information, barcode, website adressses (for the band and record label), and track listing. All what you'd expect to find on a typical CD The inspiration for the style of some of the images in the insert booklet comes from the cover of Lou Reed's Transformer album. The cover was from a Mick Rock photograph that became over-exposed. To recreate this effect I manipulated the images in photoshop using the posterize tool and turned them black and white. I've also used this posterize effect on the animated images on the band website to give the package a harmonious feel.
The Website:
For the website I followed the conventions and included things that fans would expect to find on there: gigs, a shop, news, contact information, gallery, music and a Twitter Feed. As well as buttons to external sites, such as Spotify and iTunes. Looking at professional band websites I found that many bands in the indie genre had gone for a fairly minimalist look for their front page. Oasis's website in particular had a backdrop that was animated. For my background I have three images on loop in red and blue. Throughout the website the colours are the same as the ones in the music video and digipack (red/blue and black/white), and the fonts are also consistent throughout.
The band logo and image from the digipack front cover is also on the homepage to create a coherent image. The pre-order message lets the audience know that there is new music available soon and creates a buzz for the artists.
The website adheres to Richard Dyer's Star Theory. The theory talks about the connection between a 'star' and their audience. According to Dyer a 'star' is constructed through a range of media texts to be sold to the audience. My website focuses on building up the 'star image' through, gallery, merchandise and gigs offered to fans. Star Theory can also be applied to my music video and digipack as they also focus on the band and creating an image.
I've come across a few online articles when searching for the best music videos of all time, using ratings from NME, timeout and Billboard I've complied a short list of the music video that are considered to be the best of all time. Interestingly the music videos I've looked at are all completely different in concept and type. Nirvana - Smells Like Teen Spirit Influence for the look of the video came from the 1979 film, Over The Edge. The band distributed out flyers two days before the shoot, asking fans to appear in the video. A radio station in LA (KXLU) also made a casting call for extras. At the end of the filming, Kurt Cobain suggested letting the extras wreck the set. Bayer, the director, agreed and the destruction at the end of the music video occurred. Kurt didn't like the director's cut, so he personally watched over the re-edit, which is the final version. Amy Finnerty, who had only just joined the music programming department at MTV, campaigne...
Stuart Hall's Reception Theory states in its simplest form that: NO MEDIA TEXT HAS ONE SIMPLE MEANING The audience themselves help to create the meaning of the text. We all decode the texts that we encounter in different ways as result of our life experiences. Reception analysts have found that factors, such as gender, our place in society, and the context of the time we are living in can impact massively on our meaning of media text. Even though the makers of the media text encode it with their own life experiences, audiences may decode it in a different way. Hall identified three types of audiences reading messages: 1) Dominant -How the producer wants the audience to view the media text 2) Negotiated - Accepts parts of the producer's view and their own 3) Oppositional - Rejects the preferred reading and creates their own meaning of the media text
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