Skip to main content

Stuart Hall's Reception Theory

Stuart Hall's Reception Theory states in its simplest form that: NO MEDIA TEXT HAS ONE SIMPLE MEANING


The audience themselves help to create the meaning of the text. We all decode the texts that we encounter in different ways as result of our life experiences. Reception analysts have found that factors, such as gender, our place in society, and the context of the time we are living in can impact massively on our meaning of media text. Even though the makers of the media text encode it with their own life experiences, audiences may decode it in a different way.

Hall identified three types of audiences reading messages:

1) Dominant -How the producer wants the audience to view the media text

2) Negotiated - Accepts parts of the producer's view and their own

3) Oppositional - Rejects the preferred reading and creates their own meaning of the media text

Comments

Popular posts from this blog

CD digipack draft

Using pictures from filming and ones I took separate from filming (on the front cover), I  made the first version of the digipack. Reflecting on the design I think I needed to make sure that the lyrics of 'The Pioneers' can be seen better. As well as altering the colour of the orange and cream page so that it fits in better with colour scheme of the booklet. Other details like the band members and recording location also need to be included.

Best music videos of all time?

I've come across a few online articles when searching for the best music videos of all time, using ratings from NME, timeout and Billboard I've complied a short list of the music video that are considered to be the best of all time. Interestingly the music videos I've looked at are all completely different in concept and type.  Nirvana - Smells Like Teen Spirit Influence for the look of the video came from the 1979 film, Over The Edge. The band distributed out flyers two days before the shoot, asking fans to appear in the video. A radio station in LA (KXLU) also made a casting call for extras. At the end of the filming, Kurt Cobain suggested letting the extras wreck the set. Bayer, the director, agreed and the destruction at the end of the music video occurred. Kurt didn't like the director's cut, so he personally watched over the re-edit, which is the final version. Amy Finnerty, who had only just joined the music programming department at MTV, campaigne...